Visual Communication 2016 Abstracts
Perceiving Health: Biological Food Cues Bolster Health Halo Health Perceptions • Adrienne Muldrow, Washington State University; Rachel Bailey, Murrow College of Communication • This study investigated the impact of food claims, food cues, and objective health characteristics on believability of claims and perceptions of health and taste. One hundred twenty-four individuals were exposed to counterbalanced product images, which varied in a fully crossed design by directness of visual food cues, type of food claims (health vs. taste), and objective healthfulness across three different food product types. Participants evaluated the perception of claim believability and perceptions of health and taste after exposure to each of these images. Generally, results support that direct visual cues, especially when used in coalition with health claims, improve health perception ratings and aid believability of health claims even for objectively unhealthy food products.
Good Crop, Bad Crop: Composition and Visual Attention in Photojournalism • Carolyn Yaschur; Daniel Corts, Augustana College • An eye-tracking experiment was conducted to determine whether cropping of professional photojournalistic images affects visual attention within the frame. Building on Entman’s principles of framing theory, photos were cropped according to or in defiance of strong composition to increase or reduce saliency of areas. Findings suggest participants took longer to find all of the important areas in poorly cropped photos than professionally cropped photos and preferred uncropped and professionally cropped photos over poorly cropped photos.
See it in his eyes: Linking nonverbal behavior to character traits in impression formation of politicians • Danielle Kilgo, University of Texas at Austin; Trent Boutler; Renita Coleman • This study examines the roles that specific non-verbal behaviors play in the forming certain impressions about the character of politicians. Theoretically, we tie the concepts of impression formation to the study of attributes in second-level agenda setting. Using published images of a politician and an experimental design, our results reveal eye contact was significantly better a conveying leadership and intelligence than other nonverbal behaviors, such as arm and hand positions, and smiling.
The Public Relations and Visual Ethics of Infographics: An Examination of Nonprofit Organizations’ Transparency, Clarity, and Stewardship • Diana Sisson, Auburn University; Tara Mortensen, University of South Carolina • This study employs a visual and textual content analysis to examine transparency, clarity, and stewardship practices in nonprofit organizations’ infographics (n = 376) that have been released on Twitter. Broadly, the findings suggest that nonprofit organizations are not following all of their own ethical guidelines with regard to infographics, and they are not translating these ethics to the world of visuals. The results extend current knowledge about nonprofit organizations’ stewardship and infographic visual ethics practices. Practical and theoretical implications are offered.
I AM NOT A Virus: A Comparative Analysis of Liberian Identity through the Photographs They Produce • Gabriel Tait, Arkansas State University; Viet Nguyen, Arkansas State University • “In 2014, the World Health Organization and various media outlets reported that the West African countries of Liberia, Sierra Leone, and Guinea were the epicenter for the Ebola Virus. As the media transmitted images of sick West Africans, four Liberian women decided to develop a photographic social media campaign to offer an alternative narrative. This study examines the 2014 -15 visual media campaign #IamaLiberiannotaVirus. By using content analysis to examine 75 photographs taken by Liberians of Liberians, this study offers a unique opportunity to view and understand how Liberians represent themselves in the midst of the Ebola outbreak. The findings reveal the complexities and possibilities that arise as others are empowered to construct their own visual communication narrative.
Evoking Compassion, Empathy, and Information Seeking: The Human-cost-of-war Frame, TOP student paper • Jennifer Midberry, Temple University • U.S. media consumers in an age of globalization regularly encounter mediated depictions of war. Sontag (2003) argued, “the understanding of war among people who have not experienced war is now chiefly a product of the impact of these images” (p. 21). Yet, exactly what type of impact war photos have on people is a question that remains largely unanswered in terms of visual communication research. For all of the theories and newsroom anecdotes about how audiences react to images of wartime suffering, empirical research on the capacity of news photos to move people to action is sparse and contradictory. This study aimed to fill that gap in the literature. Through a series of focus group discussions, this study investigated how media consumers generally make meaning out of images of conflict. It also specifically examined whether photos (from conflicts in Afghanistan and the Democratic Republic of Congo) with a human-cost-of-war visual frame evoked different empathic, compassionate, and information seeking responses in participants than photos with a militarism visual frame. This paper is a condensed version of a longer, in-progress monograph. The findings expand our understanding about the way audiences react to conflict photos, and they have implications for how photo editors might present audiences with images of war that will engage audiences.
Selfies and Sensationalism on the Campaign Trail: A Visual Analysis of Snapchat’s Political Coverage • Jerrica Rowlett, Florida State University; Summer Harlow, Florida State University • This exploratory, qualitative visual study of Snapchat’s Live Stories about the 2016 U.S. political primaries explored how this social media application, with its ephemeral, user-generated content covered political news. Few studies have examined Snapchat, let alone its political coverage, allowing this present research to advance the literature, informing our understanding of political communication in the digital age of the selfie. Findings suggest that Snapchat features like filters, emojis, and captions sensationalized the news.
Does Image Brightness Matter?: How Image Brightness Interacts with Food Cues When Viewing Food Pictures of Healthy and Unhealthy Foods • Jiawei Liu, Washington State University; Rachel Bailey, Murrow College of Communication • Given the high prevalence rate of overweight and obesity among the US population and its consequences, it’s important to understand how different mediated food information factors affect consumption and related responses and behaviors. This study examined how food image brightness interacted with food cues (direct visual food cues, indirect food cues) to influence affective responses and purchase intention toward different food products. Results indicate that individuals exhibit more favorable attitudes and greater purchase intentions when food information contained direct visual food cues and had greater image brightness. This was the case regardless of the health level of the foods (healthy and unhealthy). Implications and future research are discussed.
Exploring Relationships Between Selfie Practice and Cultural Characteristics, Second place student paper • Joon K Kim; Hwalbin Kim, University of South Carolina • The present study explored the relationship between individuals’ cultural characteristics and selfie practices such as posting and interacting with others on Instagram. Cultural characteristics include individuals’ independent and interdependent construal. Using an online survey (N =354), we found that the use of verbal information on selfies – captions and hashtags – was related with both independent and interdependent characteristics, while the use of nonverbal information – filter and geotags – was associated with only interdependent characteristics.
Seeing Another Way: The Competitive Spirit, Innovation, and the Race for the Better Visual • Julian Kilker, UNLV • Photojournalism faces well-known threats of deskilling and credibility associated with the shift to digitization. This paper finds evidence for an expanded notion of photojournalistic “workflow” that incorporates the activities of photographers shaping emerging technologies and techniques to handle new challenges. Technology “lead users” identify “reverse salients” in their workflows and resolve them. In doing so, they develop and propagate visual innovations. The broader implications for journalism practice and education are discussed.
Picture Perfect: How Photographs Influence Emotion, Attention and Selection in Social Media News Posts, TOP Faculty Paper • Kate Keib, University of Georgia Grady College; Camila Espina, University of Georgia, Grady College; Yen-I Lee, University of Georgia; Bartosz Wojdynski, University of Georgia; Dongwon Choi, University of Georgia, Grady College; Hyejin Bang, University of Georgia, Grady College • Social media has the primary conduit to news access for an increasing number of consumers, yet little is known about how consumers view social media posts containing news, and on what basis they make decisions about selecting and sharing this information. In a within-subjects eye-tracking experiment, this study examined the influence of image presence and valence on attention to and engagement with news stories on social media. Participants (N=60) viewed a series of 29 social media posts of news stories, each of which was either paired with no image, a positively valenced image, or a negatively valenced image, while their attention to images was recorded with an eye-tracking device, and subsequently completed several dependent measures about each image viewed. The results show that posts containing positive images elicited a higher level of emotion than those with negative or neutral images, which led to higher intentions click and share posts with positive images. The results provide a deeper understanding of how social media drives news consumption, and offer practical implications for journalists, news organizations and groups using social media to spread a message.
Framing the Migration • Keith Greenwood, University of Missouri; T.J. Thomson, Missouri School of Journalism • Human migration due to political upheaval is rapidly accelerating yet scholarly attention to refugees’ visual news representations has lagged. Using a framing analysis informed by visual symbolism and the politics of belonging, 811 images primarily depicting migration from Turkey into Europe in 2015 and submitted to the Pictures of the Year International competition were examined. Analysis determined the migration was framed in terms of scale and refugees’ hardships and lack of belonging.
Framing gender and power: A visual analysis of Peng Liyuan and Michelle Obama in Xinhua and the Associated Press • Li Chen, Syracuse University; Stephen Warren, Syracuse University; Anqi Peng; Lizhen Zhao • This study used visual framing analysis to investigate if and how gender and power are differently framed in First Ladies’ photographs between Xinhua and the Associated Press. Although communication scholars have paid attention to comparative framing analysis across cultures, there is limited scholarship focusing on the visual comparative analysis of women in politics between the US and China. This comparative content analysis explored how the interpretation of gender display, dominance, and valence of First Ladies is framed through visual language and the texts around it. 400 photographs of Peng Liyuan and Michelle Obama from Xinhua and AP were sampled, coded, and analyzed. The results indicate both differences and similarities in framing gender and power between two leading news services in the US and China. Specifically, the interaction between First Ladies and news services was found to impact the physical dominance and photo valence of First Ladies. The present study contributes to the scholarship on women in politics, visual communication, and content analysis.
Picturing Power: How Three International News Agencies Used Photos of A Chinese Military Parade • Lijie Zhou, The University of Southern Mississippi; Christopher Campbell • The current mixed-analysis study examines how three international news agencies, Xinhua, AP, and Kyodo, used news pictures in their coverage of China’s 2015 massive military parade. Based on a quantitative analysis, this study compared the major visual cues of the pictures used by each of the three news agencies. Beyond frequency calculations and statistical comparisons, the study also examined how the news images related to cultural and political hegemony through a critical visual analysis.
Building-Up and Breaking-Down Metaphoric Walls: A CDA of multimodal-metaphors in front-runner Super Tuesday victory speeches. • Marguerite Page, Southern Illinois University • Multimodal CDA following a social-semiotic approach using Fairclough’s three-dimensional framework. An abridged version of Sonjia Foss’s metaphoric criticism, and Charles Forceville’s visual metaphor theory was utilized. Text: March 1st, 2016 Super Tuesday victory speeches of front-runner’s Clinton and Trump for verbal and visual metaphors. These multimodal metaphors presented on a micro-level operate on a macro-basis and work to frame the understanding and ideological positioning/underlying beliefs of the American public during the 2016 Presidential campaign.
“Her” Photographer: The Roanoke Live Shot Murders and Visual Communication’s Place in the Newsroom • Mary Angela Bock, University of Texas at Austin; Kyser Lough, The University of Texas at Austin; Deepa Fadnis, University of Texas at Austin • Abstract: This study analyzes newspaper and television coverage of the shootings of two journalists in Virginia in 2015 in order to compare discourses about the victims, a videographer and an on-air reporter. Working within the larger framework of Pierre Bourdieu’s field theory, the analysis considers the way various subgroups within journalism maintain borders and work to establish hierarchies. Meta-journalistic discourse is one way to learn how an interpretive community represents and reproduces professional norms. This analysis focuses on how the reporter, a female on-air presenter and the videographer, a man who worked behind the camera, are discussed in terms of their contributions to journalism, their newsroom and their personalities. Three tensions that exist in the larger journalistic field: reporter-photographer, print-television and male-female, guide our analysis. Our findings suggest that coverage of the Roanoke murders offers insight into the way these tensions are navigated within the field and serve to communicate journalism’s value to the public.
Storied lives on Instagram: Factors associated with the need for personal visual identity • Nicole O’Donnell, Washington State University • This paper examines how sharing photos on social networking sites (SNSs) contributes to an individual’s sense of identity. A survey was conducted with Instagram users (n=788) to understand how they frame, annotate, and share their lives with others through digital photography. Results from a serial multiple mediator model shows that the frequency with which individuals post on Instagram predicts their need for personal visual identity and this relationship is mediated by self-objectification and self-esteem.
Machismo and marianismo images revealed in outdoor advertising: Argentina and Chile • Pamela Morris • Machismo and marianismo are important concepts for how men and women perform gender, create identity and build social relationships in Latin American cultures. In attempt to better understand these elusive concepts, this exploratory investigation reviews outdoor advertising images of men and women from Argentina and Chile. The qualitative study uses a constant comparison approach with literature of machismo, marianismo and advertising and consumer culture as a framework for theoretical development. Findings show the concepts’ subtleties that are taken for granted making them powerful forces to create inequalities between the sexes. The research expands scholarship on gender and communication in cultures little studied.
The Islamic State’s Visual War: Spotting the Hi-tech Narratives Within the Chaos • Shahira Fahmy, U of Arizona • Soon after the Islamic State in Iraq and Syria (so-called ISIS or DAESH) declared itself to be the new Islamic State and the new ‘Caliphate’ on June 28 2014, it put out its official glossy English-language magazine called Dabiq. The magazine covers the Islamic State’s strategic direction, military strategy, and alliances, making it crucial to analyze. Given the geopolitical impact and context of ISIS today, and based on research that suggests almost 90 percent of what its media’s apparatus produces is visual, the current research sought to explain the role of Dabiq’s photographs in communicating the group’s ideological narratives. Drawing on recent works, it incorporates new ways to operationalize and measure visual framing in the context of visual communication and terrorism, with specific emphasis on three dimensions: themes; objectives and messages. The work concludes by a discussion and implications of the findings and pointing out limitations and suggestions for future research.
Towards an Association Between Expository Motion Graphics and the Presence of Naïve Realism • Spencer Barnes, University of North Carolina at Chapel Hill • Expository motion graphics are usually encountered within a digital news package and they are dynamic visual communication devices capable of both informing and entertaining because they provide visual explanations and present narratives to an audience. This paper explored how viewers interacted with motion graphics that offered exposition and two theories were utilized to frame this inquiry: the theory of naïve realism and cognitive load theory. Each theory described complimentary aspects of the motion graphic viewing experience and an experiment conducted by the author indicated that visual clutter is detrimental to the viewing experience associated with motion graphics and a viewer’s proclivities about motion graphics can be altered after exposure to multiple motion graphics that vary in fidelity or representativeness. These findings have implications for the application of expository motion graphics within journalistic contexts.
Politicians, photographers, and a pope: How state-controlled and independent media covered Francis’s 2015 Cuba visit • T.J. Thomson, Missouri School of Journalism; Gregory Perreault, Appalachian State University; Margaret Duffy, Missouri School of Journalism • Pope Francis’s 2015 visit to Cuba provided a unique opportunity for a comparative study of state-controlled and independent media systems. This study, grounded in the interpretivist tradition, uses symbolic convergence theory and fantasy theme analysis to explore how visuals created by U.S.-based AP Images, U.K.-based Reuters, and Cuba-based Prensa Latina reveal the underlying rhetorical visions, news values, and priorities of each culture’s media production.
Fungible Photography: A content analysis of photographs in the Times Herald-Record before and after layoffs of the photojournalism staff, Second place faculty paper • Tara Mortensen, University of South Carolina; Peter Gade • A constructed-week sample was developed from six months prior to and six months following the Times Herald-Record of Middletown, NY laid off its entire photojournalism staff. Images from each time period were content analyzed for variables pertaining to photo quality in professionalism and professional news values. The results are mixed, but broadly suggest that many variables did not change at all, while some qualities actually improved. Number of photos decreased, as did the size of images. The gap left by staff photos was filled largely with wire images. Only a few photo quality values studies underwent the degradation feared by some industry professionals.
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